Cal Poly dancers prepare for Spring Dance Show 2012

Spring into Cal Poly’s Spring Dance Show

Preparations for Cal Poly’s annual student-produced Spring Dance Show began on Tuesday night as the Crandall Gym dance studio filled with dozens of dancers attending the mandatory information meeting.

“The Spring Dance show is a completely student-directed, choreographed, and danced show,” Misty Moyle, senior biology major and show director, said on Tuesday night.

Moyle explained that the Spring Dance Show provides an equal opportunity for anyone interested in dance. She described the show as being very experimental and as a launching pad for people to become involved with dance at Cal Poly.

Photographed by Christina Favuzzi

Audition Information

Auditions for the show are next week, Thursday, March 8 at 6 p.m. in Crandall Gym. The mandatory information meeting was last night, however, if someone missed the meeting and would like to audition, he or she must contact the directors at

Moyle and her co-director, junior kinesiology major, Tyler Ratcliff, are looking for dancers of all abilities and styles to become involved with the show.

“As a director, I look for dancers who have a proficiency in movement. But as a choreographer, I look for specific skills that I need the dancers to be able to do for the particular dance.”           -Misty Moyle, student director of Spring Dance Show 2012

A Spring Show Veteran

Sophomore environmental engineering major, Ariana Johnson, is returning to the Spring Dance Show for the second time after having a great experience participating in last year’s production. Johnson auditioned for Cal Poly’s dance company, Orchesis, during her freshman year however she was not chosen to join the company. When she heard about the Spring Dance Show, she jumped at the opportunity to start dancing and performing again.

“I hadn’t done any dancing last year so I was looking for a way to get my ‘dance kick.’ When I heard that the Spring Dance Show was all student-choreographed and directed, it sparked my interest.” -Ariana Johnson, Spring Dance Show dancer

Besides gaining an opportunity to expand her ability as a dancer, Johnson said she met many great, talented people who have since become some of her closest friends.

Moyle echoed Johnson’s statement, saying that the show is an excellent networking opportunity for people to meet other Cal Poly dancers and become familiar with the dance department.

But seriously…

As fun and exciting as the show may be, Moyle and Ratcliff stressed the seriousness of the time commitment and dedication the show requires.

This year, they hope to improve dancer attendance at rehearsals in order to increase the overall quality of the show.

“We just want to make everybody look fantastic, but we need you to be at all rehearsals for that to happen,” Ratcliff said to the dancers during the information meeting.

Although the show is entirely student-produced, there are still enormous expenses that must be accounted for. The Cal Poly Theatre and Dance Department sponsors the production.

Cal Poly dance instructor and Spring Dance Show advisor, Diana Stanton, said that it is very important for dancers to understand the commitment they are making when they join the show.

“It costs tens of thousands of dollars to put this show on and get you in the theatre, so you need to hold up your end of the deal and take this seriously. But know that this is all in the interest of making you look good.” -Diana Stanton, Cal Poly Dance Instructor and Spring Dance Show advisor

More than 200 Cal Poly students participated in the show last year and Moyle predicts that roughly the same number of dancers and choreographers will be involved with the 2012 Spring Dance Show.

Illustrated and photographed by Christina Favuzzi

Quick Info

  • This year’s show is entitled, Catalyst
  • Performance dates are Thursday, May 24 and Friday, May 25
  • 8 p.m. both nights
  • Cal Poly Spanos Theatre
  • Tickets are $5 for students
  • The show sold out both nights last year, so don’t wait to get tickets.

“Come support people you know in the show. There’s such a broad variety of dance; it’s a good way to be introduced to dance for non-dancers.” -Ariana Johnson

Check out the Mustang Daily’s article on last year’s Spring Dance Show.

Here’s a video from last year’s performance.


“Immersion” Impresses and Inspires

 Cal Poly’s Orchesis dance company displayed exceptional talent in their recent performance, Immersion

Photographed by Christina Favuzzi

Cal Poly’s elite dance company, Orchesis, presented a beautifully impressive showcase of hard work and tremendous talent in their recent performance entitled, Immersion.

The dancers have spent the past several months preparing for the six shows, which were on January 27-29 and February 2-4 in Cal Poly’s Alex and Faye Spanos Theatre.

The show consisted of several pieces choreographed by Cal Poly dance faculty, as well as pieces by four guest choreographers and three student choreographers.

Immersion began with a piece entitled “Torque,” choreographed by Orchesis Dance Company Director, Diana Stanton. The music’s heavy bass beat matched the dancers’ sharp movements and strong attack. The partnering and resistance work was particularly impressive.

Illustrated and Photographed by Christina Favuzzi

A Dancer’s Perspective

Melissa Smitheram, sophomore nutrition major and Orchesis company member, danced in a classical, yet lively ballet piece called “Plaza de la Villa,” set to the music of Carmen and choreographed by Cal Poly dance teacher, Lisa Deyo.

“The most challenging part of my performance in Immersion was staying on top of my movements,” Melissa said. “With school and late night rehearsals we were all pretty exhausted.”

So how did she make it through all the rehearsals, late nights,and keeping up with schoolwork?

“I stayed energized and healthy through the long rehearsals by eating well, working out, and getting as much sleep as I could. We would end our rehearsals and performances around 10:15 every night, so it was challenging to study and get enough rest.”

After months of rehearsal, Melissa said she will miss her Orchesis friends, but she will not forget the passion she discovered through her performance in Immersion.

“I learned that I am so passionate about dance! I do not know what I am going to do without seeing and dancing with my friends in the company every Tuesday and Thursday from 6-10 p.m. now!” –Melissa Smitheram, Cal Poly Orchesis Dance Company Member

Photographed by Christina Favuzzi

Dancers in the Audience

For a dancer in the audience, myself included, watching the performers on stage was an inspiring experience.

Jane Redmond, a freshman journalism major and lifelong dancer said watching Immerison made her miss performing.

“It made me miss that feeling of being on stage but it also made me look forward to performing with my dance studio at home this summer,” Jane said.

“It’s like a reinforcement of why I love dancing so much when I have the opportunity to see performances like Immersion.” –Jane Redmond, Cal Poly freshman and recreational dancer

Jane was impressed by the variety of pieces and dance styles in Immersion.

“There wasn’t really a theme to the show, which I liked, because you got a taste of a lot of different types of dance. That was refreshing,” said Jane.

Both Jane and kinesiology freshman Melissa Hollister, said that the piece entitled “Coexistence,” was especially memorable. Computer science senior and Orchesis company member, Ryan Badilla, choreographed “Coexistence.” The dancers wore black, full body suits and two red masks, one on their face and one on the back of their heads. This created a creepy and effective optical illusion that stuck with audiences long after the piece ended.

Immersion Inspires

Melissa Hollister said watching the Orchesis dancers in Immersion has inspired her to audition for the dance company next year.

“Seeing Immersion made me realize how diverse the dance styles are that Orchesis performs. Also, the whole performance just seems like it’d be so much fun to be a part of.” –Melissa Hollister, Cal Poly freshman and recreational dancer

Looking for Local Dance Classes?

If seeing an inspirational show like Immersion has encouraged you to start taking dance classes, the San Luis Obispo area is a great place to start your dance career. The Google Map below pinpoints local studios that you might consider taking class at.

Dance Obispo
• Academy of Dance San Luis Obispo
• CORE Dance
• Street Heat Dance Studio
• Dello Performing Arts Center

If you can’t make it downtown to take dance class, the Cal Poly Rec Center offers jazz dance and cardio dance sculpt classes…for free!

Cal Poly students can also take dance classes in Crandall Gym through the Cal Poly Dance Department. Most classes are two units and meet twice a week. There are beginning, intermediate, and advanced level classes.

Dance Obispo

Looking for Lovely Leos?

Whether you’re a new dancer or a prima ballerina, everyone needs a pretty leotard. Downtown SLO’s The Dance Shop, located on Morro Street, provides a great selection of leotards, shoes, and general dance apparel.

The Dance Shop

A Dancer’s Diet

Healthy, Nutritious Foods for the Non-Stop Dancer

Dancers often call the studio their second home. And it makes sense when you’re spending five, six, sometimes seven days a week there for hours on end, in technique classes and rehearsals. But no one can keep dancing at that rate without the proper nutrition to stay fueled and energized.

This week I spoke with two Cal Poly dancers and a Cal Poly nutrition professor to gain insight on best meals, snacks, and drinks to keep a dancer’s energy up for those long days at the studio.

Tiffany Davids is a freshman business major and Orchesis company member. She began her dance career as a “tapper” at age seven, adding jazz, ballet, and contemporary to her repertoire in the following years.

Orchesis is currently performing their annual showcase, Immersion, which consists of six shows over the course of two weeks. Preparation for the performances has required many hours of rehearsal, often late into the evening and on weekends. Tiffany knows first-hand how important it is to stay fueled during these long rehearsals.

Tiffany is a fan of trail mix full of nuts, raisins, and other dried fruits.

“It’s easy to just pop in those little morsels in your mouth between dances and you get a burst of energy.” -Tiffany Davids, Orchesis company member

Illustrated and Photographed by Christina Favuzzi

In addition to trail mix, Tiffany said baby carrots are a “go-to” snack. She also likes crackers as a source of carbohydrates.

Backstage at the Immersion shows, Orchesis dancers are provided with a “food table,” Tiffany said. On the table they have grapes, apples, mangos, blueberries, trail mix, pita chips and hummus, and acai berries covered in chocolate for something sweet but not sinful. And of course, tons of cases of water.

“I only drink water during rehearsal but afterwards I will sometimes drink Gatorade or PowerAde to regain some electrolytes.”

Alexa Dack is a sophomore architecture major and this is her second year on the Cal Poly Dance Team, which performs at Cal Poly sports events and competes nationally. With practice at least three days a week for two hours, plus game performances several times a week, she knows how to pick foods that will boost and sustain her energy.

“I like to have some kind of nuts, like almonds, for some protein. Peanut butter is also good.”

Like Tiffany, Alexa reaches for fruits such as apples, oranges, or bananas to refuel.

Illustrated and Photographed by Christina Favuzzi

“I don’t like to eat a lot before practice because it can make me feel sluggish. If I do eat something before dancing, it’s something light and healthy because I know those types of foods won’t slow me down.” -Alexa Dack, Cal Poly Dance Team

Cal Poly nutrition professor, Dr. Susan Swadener, recommends eating two to four hours prior to dancing because, as Alexa mentioned, eating a heavy meal before dancing can make you feel sluggish.

She also advises eating within 15 to 30 minutes after working out. Dr. Swadener said it is important to restore glycogen quickly. Glycogen holds starch, which holds water, so when you restore your glycogen, you also hydrate your body.

Whether it’s a pre or post-workout meal, she recommends having a meal that has low fat, high carbs, and moderate protein because it will help you to digest the food more quickly and it won’t weigh you down.

“I think carbohydrates are so important but we’ve become so carbohydrate-phobic today, with people saying that carbs are ‘bad,’ but muscles use carbohydrates for fuel and to help them rebuild when they break down.” -Dr. Susan Swadener, Cal Poly Nutrition Professor

Whole grains are the ideal carb and can be found in cereals and whole grain breads and pastas. They are also rich in vitamins and fiber, Dr. Swadener said.

Illustrated and Photographed by Christina Favuzzi

Protein is an important part of a dancer’s diet and Dr. Swadener’s recommendations are easy and delicious.

“I think yogurt can be a fantastic snack. Or string cheese is a great option. Have peanut butter and an apple, because you need some protein and fat to sustain you through those long hours of exercise.”

Illustrated and Photographed by Christina Favuzzi

Dr. Swadener said that protein bars are also good for refueling because they have a good mix of protein, carbs, and fat.

“I think smoothies are another good snack because you can throw in yogurt and you can throw in fruit. And if you’re nervous before a performance, sometimes a liquid is easier to digest and handle.” -Dr. Swadener

Another beneficial fluid: non-fat or low-fat milk.

“It’s fantastic because it’s high protein, it’s low fat, and it’s fluid, so you get your fluids in to be hydrated.”

Dr. Swadener is a believer in “everything in moderation” and said that sweets are okay to have, but she said to make them “fun foods.”

“Personally, I like frozen yogurt because it’s lower in fat, it’s sweet but it’s healthy because it’s got calcium and protein.”

Photographed by Christina Favuzzi

Lastly, in addition to refueling with food, dancers should never underestimate the importance of sleep. With that said, try to limit caffeine intake to about two cups of coffee a day, one in the morning and perhaps one mid-afternoon.

“Be careful with coffee and caffeine in the evening because then you’re jittery, can’t sleep, and you really need to get good rest as a dancer.”

A Quick Recap:

  • Trail Mix
  • Dried and Fresh fruits
  • Nuts
  • Carrots
  • Crackers
  • Pita chips and hummus
  • Whole grain breads, pastas, and cereals
  • Yogurt
  • String Cheese
  • Peanut Butter
  • Protein Bars
  • Smoothies
  • Milk
  • Frozen Yogurt

Want to learn more?

Check out this video: A Healthy Dancer’s Diet

Stay tuned…

Hello readers!

I just wanted to bring your attention to a few new videos I’ve added to my “Videos” page. They are from the New York City Ballet’s Youtube channel. Not only is the dancing beautiful, but the footage is also absolutely stunning, particularly in the video about tutu creation.

Stay tuned for my next post – it’s scheduled to go live this Wednesday, but I sometimes publish the night before.

In this week’s post you’ll hear from a Cal Poly dance team dancer, an Orchesis company member, and a Cal Poly food science and nutrition professor…any guesses on what my post is about? Check back in a few days for the full story.


The Discipline of the Ballerina Bun

The Ballerina Bun

Whether you’re a new dancer attempting to master this hairstyle for class or a non-dancing reader, the ballet bun is a versatile, easy and professional style anyone can pull off.

“I actually remember very vividly when I first did my own bun,” Gabriella Petrone, Cal Poly sophomore business major and Orchesis company member, said. “My mom had just left for Taiwan for a family emergency and the first thing I thought when she left was, ‘crap, who’s going to do my hair for ballet?’”

Gabriella’s mother had done her hair since she started dancing at the very young age of two. The day her mom left, she realized she’d have to attempt the perfect ballerina bun by herself.

“I just did my bun myself that day and at the end of class I realized that it had stayed in the whole time,” Gabriella said. “So the first thing I did after class was call my mom and say, ‘I did my own bun!’ It was an accomplishment.”

Gabriella trained under the Royal Academy of Dance method, so from a young age she understood the importance of neat hair. Her instructor would not let dancers take class if their hair was not done up to her standards.

“It teaches you discipline. It’s almost like a ritual. It helps get me into my ballet mode because I’m thinking, ‘okay, my hair needs to go in a bun.’” — Gabriella Petrone, Cal Poly Orchesis Dancer

Veronika Velikoretski, 15, has been dancing with the Santa Barbara Festival Ballet for 12 years. She remembers first being able to put her hair up in a bun when she was seven years old.

“It was important for me to be able to do my own hair because I felt like I needed a perfect ballerina bun, like the big girls.” – Veronika Velikoretski, Santa Barbara Festival Ballet Advanced Dancer

With class and rehearsal for several hours a day, often five or six days a week, Veronika is beyond familiar with putting her hair into that neat little knot.

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Photos illustrated by Christina Favuzzi. Photographed by Christina Favuzzi and Lauren Wooley. 

She begins by putting her hair in a high ponytail using a “grip” hair tie. The rubber ribs on these hair bands keep them from slipping out of your hair.

Veronika then twists her hair and wraps it around the ponytail, forming a bun.

Pins, pins, pins. Any dancer will tell you she has probably lost hundreds of pins in her life. Veronika puts pins all around her bun to secure it to her head. She prefers to use hair pins (see image) although, you may find that bobby pins or roller pins work better for you.

She finishes the style by wrapping a hairnet around the bun to catch any stray wisps of hair.

For performances, Veronika uses plenty of gel to get her hair perfectly slicked and smooth. She also uses extra pins for good measure.

While you should always regard class as seriously as a performance, your hair should be a little more relaxed in the studio. In fact, New York City Ballet Soloist, Kathryn Morgan, said she often opts for a hairstyle other than the high ballet bun for class and rehearsal.

“I usually do a French twist or low loose bun for rehearsals with just bobby pins and for performance, we do our hair to whatever ballet it is – usually a high slick bun.” – Kathryn Morgan, New York City Ballet Soloist

Kathryn suggests wetting your hair with a spray bottle before putting it into a ponytail. This helps the hair to smooth down.

As a soloist for one of the best ballet companies in the world, Kathryn knows the exact formula for perfect performance hair. She grabs for the hairspray can to tame “any little wisps hanging out.” She also uses a piece of fake hair in addition to her own hair to make her bun thicker. This is because like many professional dancers, Kathryn’s hair is very thin.

The New York Times wrote a fascinating article on dancers and their hair. It discusses the problems dancers deal with as a result of pulling their hair back tightly into a bun for so many years.

During Kathryn’s tremendous career as a professional ballet dancer, she has dealt with hundreds of quick costume and hair changes.

“It is very important for dancers to be able to do their own hair because you never know the situation you will be in. You might have to put it up quickly. There is one ballet we do that we have to go from one costume with hair down to a different costume with hair up in about 90 seconds. Very scary. So it is super important.” – Kathryn Morgan, New York City Ballet Soloist

What You’ll Need

  • Hair Ties
  • Hair Net
  • Hairspray and/or gel (for performance)
  • Different Types of Pins: Bobby Pins, Jumbo Bobby Pins, also called Roller Pins, Hair Pins, Jumbo Hair Pins


  • Fake Flowers
  • Decorative Barrettes and Clips
  • Ribbon

You can purchase these products at your local drugstore. Goody Hair products are excellent.

If you need additional help, check out this video by Anaheim Ballet.

The Importance of Stretching and Flexibility

“Stretch is just the opposite of strength and it’s all about finding balance in your body” -Lisa Deyo

From the time one begins his or her dance career, whether it’s a first ballet class as a young child, or later on in life, flexibility and stretching are regular and necessary aspects of dance training. But it can be difficult to motivate oneself to stretch because it’s often uncomfortable or frustrating because the dancer isn’t noticing any improvement in his or her flexibility.

This past week I sat down with Lauren Creger and Nikki Sullivan, both members of Cal Poly’s dance company, Orchesis, as well as a Cal Poly dance teacher, Lisa Deyo, to talk about the importance of flexibility and stretching and how to fit it into our daily routine.

Lauren is a freshman psychology major and has danced on and off throughout her life. In high school she was a member of her school’s dance team and had a coach that pushed the dancers tremendously to improve their flexibility.

“She once said, ‘Splits aren’t good enough; splits are expected,’” Lauren said about her dance team coach. “She told us, ‘If you aren’t flexible, you’re nothing to me.’

While her coach may sound like an unreasonably harsh person, Lauren said she always meant her criticism in a positive way and she led them to their first national title, so the intense stretching definitely paid off.

Lauren stretches everyday and begins her stretching routine by walking or light jogging to get her heart rate up and blood flowing. Then she does gentle head rolls, isolations, and leg swings.

Lauren recommends stretching right after showering because the hot water warms up and releases muscles so they are easier to stretch.

Dancers often use equipment to intensify their stretching routine. Theraband resistance bands, tennis balls, and foam cylinders are useful tools for working on flexibility. Therabands are often used to stretch and strengthen ankles. Wrap the band around the arch of the foot, holding each end tightly with both hands, flex and point your foot to stretch the muscles on the top of the foot and strengthen the ankle. See the photo slideshow to see Lauren demonstrate this exercise.

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Tennis balls and foam cylinders can be used to roll out tense muscles. Rolling a tennis ball under the arch of the foot releases many tiny muscles that are very tight. The small surface area of a tennis ball increases its pressure on muscles. With that said, use it cautiously or try using a foam cylinder to massage larger muscles such as calves.

Lauren also showed me how she uses ropes to improve her flexibility. Because rope does not stretch, it increases tension and affects the muscles differently.

Fellow Orchesis dancer and sophomore business major, Nikki, echoed Lauren’s note about warming up before stretching. Starting with some breathing exercises and light cardio is beneficial for stretching, Nikki said.

“Stretch everyday for longer that you want to and don’t give up if you don’t see results right away,” Nikki said. “You’re essentially training your muscles to move differently so it’s going to take time to see improvement.”

Flexibility is important for dancing because it makes everything look better and strengthens your ability to hold lines, Nikki said.

Nikki fits her stretching routine in everyday, whether it’s before a technique class, an Orchesis rehearsal, or just at home.

“If I’m at home, I sometimes watch something on Hulu and stretch then,” Nikki said.

This is an easy and enjoyable way to stretch because it takes your mind off the pain you may be feeling and if you’re really enraptured by what your watching, you’ll likely hold the stretch longer.

Cal Poly dance teacher, Lisa Deyo, has witnessed her flexibility change over the course of her dance career. Her daily stretching routine depends on how she’s feeling each day and thus determines what exercises she will do, she said.

“My body always thanks me later.” – Lisa Deyo

With age, Lisa said she feels things more intensely, so she focuses on staying strong and balanced. She distinctly remembers needing to transition from stretching to more strengthening when she turned 36. However, at that time, she said her muscles also became tighter so she had to work on stretches that she didn’t need to do when she was younger.

“I used to wake up and sit in the splits, but that goes away very abruptly with age,” Lisa said. “I’m almost 47 now which means my tissues are less flexible, so I have to be more gentle and take longer with my stretching.”

When instructing younger dancers, Lisa teaches them how to listen to their body to feel where they are tight. She emphasized the importance of staying in a stretch longer and really picturing the breath filling the space where it hurts.

“Flexibility is about balancing your flexibility with your strength so that you are as pliable and able to respond to the needs of the choreographer as much as possible,” Lisa said.

Here is a list of  stretches that dancers are recommended to do everyday. Always remember to listen to your body and stretch according to what it needs.

Before you begin stretching, do some form of cardio to get the blood flowing. Stretching your muscles will be easier and less painful if they are warmed up.  

  • Pike – legs stretched out in front of you. Lay torso on legs, pressing head into knees. Hold feet with your hands.
  • Butterfly – sitting on rear, bend legs and press feet together. Increase stretch by leaning torso over legs.
  • “Cobra” or “Seal”
  • “Child’s Pose” or “Kitty Cat” – lean back on your thighs and stretch arms straight out ahead of you
  • Frog – lay on stomach with legs bent and feet pressed together
  • Lunges
  • “Pigeon” or Half-Split
  • Splits on the left, right, and in the middle
  • Wall stretch – lay on back with rear pressed against the wall, legs extended in second position. Let gravity pull legs down
  • Feet Stretch – point and flex. Therabands are a useful tool for this stretch